Can’t Tell Me Nothing

a black and white rendition of the SE corner of the current kitchen. There's a window that will go away, and a range sitting squarely there

The kitchen plans, of course, look good. Why on goddesses’ green earth would somebody give a client something that looks bad. See what I mean?

There’s a lot of time between encounters–encounters between the design/build folks and the client. And for those of you not quite following along, the client in the equation is me. Doc. I want it to be done. Complete. Finito.

Maybe this is less about being done, and more about my impatience. Be that as it may.

The problem is that Doc is actually obsessing about that last batch of drawings. The batch in possession is actually one conversation/version behind. So, the pix that I have do not actually incorporate all that we said. All that we agreed to. All that I want to be.

Well, that’s not exactly true. There are notes and arrows that acknowledge the changes–but you don’t see them all. Not totally. There is interpretation required. See. I’m obsessing. I told you.

So, as you know, pretty much every day I stand in different spots in the house and try to imagine what will be. I’m not saying that this is healthy. I’m just reporting the truth.

Today, I’m looking at the plans and seeing that there’s a problem. I’m looking at the edges and see that there are two corners in play. One on the southwest side. The other on the southeast side. The cabinets join at those corners. I’m wondering how the hell you get anything into or out of those spaces. It’s geometry. Angles and space. This is not looking good. The space is blocked.

And then I look, again, at the drawings. I see some weird words. On the plans it says:

Blind corner with pull out magic corner.

An image of one of the drawings that includes an indication that a pull-out-magic-corner will save the day. Fingers crossed.

Of course. Magic. That’s what I needed!

I go to the Google and ask about the “pull out magic corner.” It’s actually a real thing. I know this because one of the sellers is AmazonDotCom. Has to be legit.

It’s a few wire shelves that are connected and folded upon themselves. These shelves are attached to a cabinet door to provide access to the dark matter at the joining of the cabinetry. You pull the door open and the storage unfolds, four shelves for pots and pans or for mixers and bowls or for plastic containers and their snap on lids.

I’m feeling more confident. You can live through anything if magic made it.

Personality Quiz

The wall of pots in our kitchen, hanging haphazardly on a pegboard wall. Circa now.

What’s your kitchen style? Farmhouse? Modern? Mediterranean? French country? Traditional? Transitional(?) ? Contemporary? Eclectic?

It’s like a giant, stupid Buzzfeed quiz. Which Disney princess are you? What Hogwarts house will you be sorted into? What does your aura orb say about your love life? How are your values reflected by your cereal choices?

It’s not like it’s science. The elements of the different design styles overlap. A lot. Like what’s the difference between contemporary and modern? Maybe styles can be grouped along a spectrum running from fussy to Jetson sleek. I’m not sure, though. I mean, I get that it’s a shortcut to a consistent look–except, however, if you choose eclectic, which evokes “whatever you want.”

Selecting a kitchen style reminds me of that “seasons” thing they used to do to figure out someone’s most flattering color palette. Women went to parties to get draped with scarves of different tones and colors by an expert who likely learned the trade by going to a party the previous week. After the sorting, you’d be named a Winter–whereupon you were instructed to throw away all your gold jewelry and, speaking of jewels, focus on jewel-toned clothes. If the veins in your wrists looked more green than blue, you’d be crowned an Autumn and were instructed to wear coppery browns and olive-y greens. [You can see the ancient ceremony performed here.]

These kitchen styles don’t really speak to me. I don’t want fussy, but minimalist would soon look like some professional organizer’s “before” picture. There isn’t a style called “hide the dirt and accept that there’s gonna be a mess and, also, I cook here.” Too many words, I guess.

I don’t want the rich look of marble with a fancy crystal teardrop chandelier and the nooks and crannies of faux furniture turned legs and corbels flanking the hearth. I don’t want a Tony Stark kitchen with shiny surfaces that are unforgiving to fingerprints and with cabinets without pulls, hinges or surface details, camouflaged as a blank wall.

Then I found industrial kitchens. Industrial sounded good. Like a factory floor with working machines and surfaces that you’d clean with a sandblaster. But what if it’s really another term for steampunk with all the complexity of sci-fi meets Victorian charm? Too much. And how do I distinguish industrial from professional? And, does it actually matter?

For me, for my kitchen style, maybe I should just say, Winter is coming.

Connecting Rooms

I was committed to staying within the current footprint and floorplan. I was okay, and, in fact always planned, taking out the pantry wall. The pantry was a rabbit hole with a bottom that we never could actually get to. Stuff piled up. I’m sure this is a problem that could have been organized out of, but opening the kitchen and gaining those fifty-four inches would add a third more space to cook in. And a better cooking experience is a major rehab goal.

The rest of the house would keep the historical layout. Center hall. Three rooms on the right. Living-dining-kitchen on the left. The bathroom at the end of the hall needed an internal reconfiguration, but there was enough space. I always loved how the rooms interconnect and how the house flows.

Over the years, the front room went from “toy room” to TV/game room and den. We still call it the toy room, to the dismay of our adult children. Old habits.

The back bedroom had been our guest room (except when I was recovering from various surgeries). We referred to it by the name of my sister-in-law, on account of her living with us for her first semester of law school until she divined that the benefit of free rent (to be fair, she insisted on paying us) and family meal was poorly balanced against a precocious four-year-old who wandered in asking a cross-ex worth of questions during reading for torts or contracts. We understood her escape. She was honored with the room name for a decade, until the former four-year-old-now-fourteen decided that he didn’t want to share a room with his brother and slowly assumed that space as his own.

That middle room was long the office of The Spouse. Computer towers, two phone lines and the screech of a 2400 baud modem electronically defined a space full of contract negotiations and a highly complex hiring hall. The Spouse had to be very efficient–more contracts meant more jobs to fill. More jobs meant more itinerant members with their schedules and last minute trips as well as the occasional times in rehab or jail. A merger and some technical changes unchained him from the desk and landline. And the room accreted into a huge closet.

I moved boxes from my last office in there. He piled up old briefcases that were never quite emptied. There were boxes of photos that I didn’t trust to the dank basement. The board games we maybe might play, boxes of computer discs, laser discs and record albums that got moved there when we got rid of the old wall unit and turntable. A collection of serving pieces and table cloths. A bunch of unidentifiables stacked haphazardly on the long buffet server that didn’t fit in the dining room. Random pieces of furniture. A ladder that didn’t get put back downstairs. A set of crutches and the recording rig that the Big Guy used to record and produce music.

When the proposed design relocated the bathroom to take a hunk out of that room, a bit of a shudder shot across my shoulders and down my spine. But I was gaining five more kitchen feet and opening light to the back of the house. We weren’t doing anything in that room, anyway. We didn’t need it as a bedroom in any future configuration. But we were losing that room. My pulse stepped up and my tongue was too dry to lick my lips.

The architect swapped the master suite idea for a narrow office configuration. We could definitely use that–I had carved out a corner in the toy room. Then she drew in two pocket doors, reestablishing a direct connection between the three rooms. The linking of space that first drew me to into the spell of this house. And my heart slowed to a regular pace, the moisture returned to my mouth. Deep breath. Okay. Let’s do it.

Moby Dick

The east wall run the current kitchen. Yeah. For reals. It's a stylized filter so you don't think it's so bad.

One of the pre-identified risks in this project is the possibility that I will not stay married. A disruption of this magnitude could fray the loosely woven cloth, nay, the net, of our union. At our core, the Spouse and I are incompatible.

To get this particular project moving–this project that has sat simmering, fermenting, fomenting and even festering for nigh on a generation–I extracted a promise. It was really quite clever of me. I asked that for my birthday present, the Spouse would give me boss status on the project. Final say on any disputed decision.

It was helpful that we were at the beach, that there was a post-sun beer or two and a lovely bottle of red that we drained along with grilled sea and farm fresh fare. With the Beast splayed on the cool tiles of the oddly large and mildly dysfunctional rental kitchen, his baleful hound dog eyes tracking the slow merry-go-round of the ceiling fan and with the red sun flaming the window over the sink (with a view of a yellow brick corporate mall that included the Piggly Wiggly) signaling the end of my birthday, a “yes” was extracted.

Yesterday we saw the kitchen elevations. And I wasn’t blown away. I was a little surprised. I thought that I would hear choirs of angels. Nope. No celestial movement.

Kitchen elevation of east wall. All cabinets.
It was the great white wall. A wall of cabinets that stretched to the very top of our ten foot ceilings. A great wall of white that ensconced and cocooned the rangetop. I railed against it. I was Ahab who needed to destroy that great white monster.

Working with the architect, we moved some storage blocks off of the counter. We replaced some closed cabinets with open shelves. We decided that the bottom cabinets would not be white. It was a great solution. We picked out some stuff, scheduled the next meeting and went about our day. But still, I wasn’t settled.

After work, I walked into the kitchen and imagined the storage space at the top of the room. What would I put in those cabinets? I’d need a real ladder to reach them. I stretched my hand above my head, as far as I could. I opened the current cabinets and stood on my tippy toes. I could barely touch the third shelf of these low ones. I could neither see nor touch anything in the back. I looked up to the ceiling again. It looked like a shear rock wall that I had no idea how to summit. I felt closed in. I felt claustrophobic.

I shook off the future kitchen plans and turned to the current meal plan. I worked on getting dinner together in my borderline decrepit kitchen. It was comfy. Most everything was in reach–mostly because the footprint was confined. Stuff was either right there or not in the room. But still, it was manageable. I was managing.

I plated the arugula, topped it with the burrata and scattered halves of heirloom cherry tomatoes and a few red onion strings around the mound of cheese. I crushed black pepper over the top and rained sea salt. I sliced the leftover roasted chicken and placed it on the other side of the plate. I drizzled a lemony pesto sauce on the chicken and finished the burrata and arugula with olive oil and a drop of the good balsamic.

The Spouse and I sat down to eat. I poured the wine that he had opened. I said that I wasn’t sure about the big wall of white. The Spouse said that he was surprised when I didn’t object to the enclosed exhaust hood. He was surprised because when I showed him images of what I liked, a hearth surround was not on the list. In fact, he noted that I liked the clean lines of an exposed stainless steel hood reaching to the ceiling and disparaged the hearths fashioned to look like a pizza oven or a fireplace.

He knew this because when I swiped through dozens of pictures that I amassed online, those times when I thought his nodding head was a signal to move along, he was actually paying attention. And that his nods indicated that he understood. 

Now I saw the white monster in its true form. It was the closed-in range. I wanted freedom to cook and create, but the design of the cabinetry was closing in.

But here’s the thing. I didn’t know he was listening. But he was. And he fixed it. What a dope. Me, that is.

So, really, the secret to our marriage is that we are incompatible. At least that’s what I say it is. And I’m in charge of this project.

Living on a Prayer

A colorful rendition of a soon to fail, or perhaps failed, tub faucet kit.

So here’s what happens when you’ve been planning to do an upgrade for like, I don’t know–let’s just say, maybe like–twenty five years? Like literally since you bought the house that you walked into and it took your heart into it’s wood floors and interconnected rooms that made you feel like a child. The house that has windows that speak to you in tongues. Those windows that refract the light that streaks across those shiny wood floors that have been dulled over years of the tredding of sneakers and boots and paws and slippers and cleats and high heels and loafers. The house that you moved into and told The Spouse that this was your final resting ground. Like throw my corpse in the backyard when I die resting.

The house with the unacceptable kitchen that you ended up cooking for seventy revelers–actually between 55 and 100–for the past twenty five Christmases. The kitchen with the stove that your Dad saw when he met his four-week-old, Big Guy grandson and immediately took you to Sears to replace the 1940s stove. Really it looked super retro-cool, but was a disaster for cooking. And those few forties cabinets that you impossibly stuffed your goods in. But the door to that great back deck!

And now, we’re going to do that modernization thing. Including that bathroom.

Yes. That bathroom.

There is just that one. The one that was clearly very cheaply revamped to sell the house. You knew that when you saw the wallpaper trim tacked onto the subway tile that surrounded the tiny vanity with the door that you couldn’t open fully because the toilet bowl was an obstruction. Yes. That one.

The house that I love.

And, now, I am crossing my fingers and making the sign of the cross and maybe lighting candles with herbal essenses that are healing, so that the tub fixtures will allow us to take the number of showers we need until–well, until we move to the interim space.

Frankly, I know we are on borrowed time. Both the hot water and the cold water faucets are stripped. This is pretty recent–like two weeks. So there’s the most awesome pliers that we are using to deliver and adjust the water for showers. It rests on the edge of the tub, in case someone needs to adjust the water temperature. Actually, in order to get the water flowing. Currently, it’s just that essential.

When you’ve been planning to gut the bathroom for twenty-five years, and you are close to doing it, you just don’t want to invest in a new tub faucet system. Especially because you are living in a dream world. Where the tub is on the other wall. And there is room for your legs when you are doing your morning constitution.

And then, you look at the plans and realize that everything will be somewhere else. But not today. Not, yet.

Pray for showers. Just need a few more months. Just. A. Few. More.

Taking Stock

Guac and salsa and chips with a beer on the deck. Looking at the ocean. But you can't see the ocean in this pic.

We asked our friend, Chef, what she brings on vacation. If you rent a beach house—and are not in the demographic worried about having an appropriately sized table for beer pong—this is an important question.

If you’re tooling around Ireland, it’s about pubs along the way. If you’re vacationing in Italy your food questions are local wines and food, unless you rent a villa. Then you are renting a kitchen staff. My dream is to charm my way into nona’s kitchen and leave with both an appreciation and mastery of her techniques.

At the beach house, you find a blank canvas with unknown brushes, paints and palette. Actually, the paints are known. They are BYO.

The kitchen is supply free. There may be a filled salt and pepper shaker, and the salt may be sticking together, otherwise it’s empty cupboards. Last time I moved into a house and didn’t have a supply of mustards and vinegars, spices and sugars, and oil, flour and maple syrup was—let me think. Yup. It was the first time I moved as an adult. The second time, I packed up and moved my accumulated larder.

I’ve packed up the oregano and sage, rosemary and thyme, the cumin and chili powder, the cinnamon, ginger and nutmeg, and the 3 vinegars and two oils each move until I moved into this house a generation ago.

My current staples include the above plus capers, roasted red peppers, sun dried tomatoes, anchovies and anchovy paste, four or five different types of nuts, golden and Thompson raisins, dried cranberries, cans and cans of beans of various colors and sizes, artichokes, 4 more types of vinegars, additional grades of olive oil, yellow and brown and rustic country and Dijon mustards, horseradish, fish sauce, sriracha and Tabasco, and a hearty and hefty addition of jarred spices. There’s jasmine rice, sushi rice, abririo rice and rice rice. There is white flour, wheat flour, coconut flour and corn meal—both coarse and fine. There’s lentils—black and green; quinoa—regular and tricolored; some farro; and an I interesting grain mixture that I like. I’m sure this list, as long as it is, is very incomplete.

Even with cupboards filled, there’s frequently something I need. And, many other days, nothing to cook.

Rolling into the beach house is all about minimalist stocking for minimalist cooking. The eating out options are sparse, and somewhat gross, so eating in is big.

While some beach cooks are into disposable stocking—that is to throw out barely used jars of ketchup, mayo, pickles, salad dressing, and the specialty gourmet splurge-on-account-of, well, vacation—I just can’t. And The Spouse would secretly pack it all to bring back home where I will throw out the tiny jars of spoilt goods when he’s sleeping. I like that even less.

Bring more, you advise. I just can’t pack up my kitchen. See above re: the sisterhood of the traveling pantry. Not doing it. And I’d forget something and have to buy it and then end up with two at home. Or three. I’m still at a loss as to why I had 3 jars of paprika and 3 of that disgusting dried lemon peel at home.

So for my week of vaycay meals I settle on olive oil, red wine vinegar, Dijon, fresh cracked pepper, sea salt, garlic, onions and a few sprigs of fresh thyme from the produce section. Add some lemon and lime zest—those fruits are critical for drinks!—and I’m stocked.

So when I asked Chef what she brings, I was surprised to hear her say, a knife. A tool! But she is damn right. The knives—and most of the culinary tools in the rental
kitchen—are usually both plentiful and dull. And mostly serrated. Who has six serrated to one regular knife? Heathens!

Using the rental kitchen “sharps,” I suffer though trying to chop garlic fine. My knife sides off the side of the onion. Another knife pummels verses slices the tomato. Oh, for a good knife!

But the wine is good. The vegetables are fresh. The fish market—when you find the one with the local catch—is perfect. And the creative challenge of a meal for foodies with few staples is well worth the fun. Especially because the wine is good. Seriously, I’m on vacation, but not on a vacation from good food. And did I mention the wine? I did, didn’t I? It’s good. It’s all good.