Tag: National Museum of African American History and Culture

The Truth To Set You Free

A statue of Thomas Jefferson in front of piles of bricks. Each with the name of a person he owned. ugh.

I was buoyant to be part of the preview crowd at the soon to open Smithsonian National Museum of African American History and Culture. The museum, as it slowly grew into it’s stacked corona on the Mall, grew on me. My companions in line said the same thing.

You can read more on the Museum here, here and here. This is not a review, though.

This is some raw thinkings delivered by a museum that riled me raw. After the party.

The party was awesome. There was a DJ and a hype man. Their day jobs are providing security at other Smithsonian properties on the mall. Tonight, they were party starters. They spun tunes-opening with Celebrate by Kool and the Gang which made me all nostalgic for my Sibling’s wedding as her new brother-in-law loosened his tie from his tux and pranced around the dance floor with a bottle of champagne in each hand–and asked the crowd (which was huge given there are just 200 employees and this was a family event, but the more the merrier when you’re celebrating) to hand dance and Wobble.

The dips and finger foods were generous, but the exhibits beckoned. That’s why we were here. I took the elevator down a few stories to a deep cavern which leads visitors through American history via the lens of African Americans. You follow an ascending ramp back up to the main floor. There is much to see and feel and think about as you walk the corridor.

There was part of one wall that told the horror story of families broken up on the auction block. In particular, the  curators related the story of a woman who was being put up for sale who refused to let them take her child. Take her child away from her. Out of her arms. This was her baby.

As she screamed and held the baby dear, she was lashed by a whip. Still, she held on to her sweet child. And, still, she was beaten by the people who were going to sell her. And sell her child. And the bastards wrenched her heart, her precious baby, from her arms. This horror was depicted in an ink drawing.

As I turned away from the canvas, I saw a man. He was a father. His skin was the same shade as the mother in the drawing. The woman who was for sale. He was holding his sweet baby in his arms. I can’t stop thinking about him and his family, and the woman and her family from hundreds of years ago. And thinking about progress and the journey that we are still on as a country and as a people.

My mind is racing and boiling and roiling and recoiling. And thinking. More thinking.

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Who Tells Your Story

Preface to the new edition of a history of the US written by former Princeton and U.S. President Woodrow Wilson. He was a bigot, too.

I was driving back from the Italian specialty store. They have fabulous capicola and even more fabulosa salami. I bought a bottle of wine for dinner. Oddly I selected Spanish, not Italian.

I had one more stop to make before home. The “you’re almost out of gas you idiot” indicator appeared as I pulled into the parking spot at my earlier destination where I bought a bag of dog food. The Shell station was next.

As I was pulling out of the parking space, I flipped the radio station from the droning trance music. Who knew they played trance on commercial radio? I settled on the left side of the dial. I was sucked in by an intoxicating southern timbre.

A man was talking about historical preservation and public reckoning, but his story was about an old building that was being preserved. The preservation was wrong. You see, the preservationists had confused the front of the house with the back of the house. And, more importantly, they omitted any context for the structure. This was discovered and then reconciled by research that consisted of talking with the people who had actually lived there.

The historian learned that the story about the house that the museum was sharing–the history–was not just incomplete. It told a story different from the truth of the people who were there.

The history hewed to a narrative that supported the dominant culture. It supported the idea that the people who lived there were broken and weak. But the truth was that the people who lived there were strong, with tight families and decent means.

Dr. King said, “We are not makers of history. We are made by history.” So the history that we are told makes the people in our heads. It informs not only how we see the people in the past, but how we see their descendants.

It’s important (at least I think it is) to not only seek and share multiple perspectives, but also–and this is from the historian on the radio–to allow ourselves to be surprised. Surprised by what we find, what we learn and to let it challenge what we have believed and what we thought was truth.

Striving to understand people, to accept that their truths may be different, and even that their truth (or my truth, for that matter) might actually be the truth can help align what history makes us with who we actually are.

Wow. That’s a lot of thinking between the salami store and the gas station. If this symposium snippet on c-span was any indication, the new National Museum of African American History and Culture will be a place with a surfeit of surprise. I am open to it. You?

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